It
was some time in 1987. This 5-year-old boy
affectionately called Charan at home was
coaxed by his grandparents Sikkil Sisters to
sing any tune. After quite a bit of
cajoling, he sang a popular film number. His
grandparents especially Smt Neela was amazed
at the “sruthi sudhham” or tonal perfection
in his singing and also the near-perfect
alignment of the notes. Together they
decided that he must pursue vocal music.
Almost every second member in the family had
taken up flute. Hence they were insistent
that at least this boy should pursue a
different art form namely singing, as he had
already shown immense promise at that age.”
The above paragraph describes how I was
fortunate enough to make my intial forays
into the Divine Art called Carnatic music.
My father had shifted to Hyderabad at that
juncture for official reasons and our whole
family had to shift our base. Technically
speaking, my music classes started then. My
mother taught me the initial exercises and
other songs like Mudhaakaratha modhakam,
Madhuraashtakam, Kurai Onrum illai etc. She
also taught flute to my sister and I used to
involuntarily register those kritis also in
my mind. A couple of years passed in such a
fashion.
In 1990, we returned to Chennai(then,
Madras). And my grandmothers wasted no time
in putting me under the able guidance of
Vaigal Sri S.Gnanaskandan, a sishya of
Dandapani Desigar and Semmangudi Srinivasa
Iyer . He was the Producer of All India
Radio at that time and he would come over to
our place to teach music. This unique
practice, he continues till date, belying
his age of 76. I know it would be a cliché
to say that initially I had no interest and
used to be playful during lessons. In my
case, it was partially true. A strict person
by nature, my Guru ensured I learnt properly
and the people at home also created an
ambience filled with music to build my
interest in singing. They did succeed. Well,
to a certain extent!!
My interest in music was boosted to a
vast extent because of the places I landed
at for my education !! Please see Education
Link for further details.
Shri V .Chandrasekaran , Gurucharan's
Father, is the Marketing manager in Palepu
and co. , a leading pharmaceutical
distributing company, after having worked
for more than 30 years in the MNC , May and
baker . He is also a stage artiste and has
acted in several hit plays including Thani
kuduthanam, Oor Vambu, Kalkattu,
Washingtonil thirumanam. He was initially
associated with Sri Poornam Viswanathan and
later the troupe, Kala Nilayam.
Smt. Mythili Chandrasekaran, Gurucharan's
Mother, she is a lecturer in Government
Music College, Adyar for more than a decade
now. She is a busy teacher taking classes in
flute and vocal music. Those interested in
learning Vocal or Flute are free to contact
. She is also one tough critic of her son's
music!!
Smt Lavanya Venkatesan , Gurucharan's sister
is an M.Phil in Maths and has served as a
lecturer in Stella Maris College. Once an
aspiring music critic, she is now happily
married to Mr Venkatesan , a Chartered
Accountant , and has settled in UAE. She
plays the flute , having learnt the family
art from her grandparents and mother, but
had to give precedence to her first love,
Mathematics. She is another person who
regularly reviews her brother's music ,
thanks to her uncanny sense of sruthi and
raga-bhava !!
Vidya Mandir at Luz corner was where I
did my schooling. I think I am one of the
fortunate few to get admission in an
institution where music was part and parcel
of the curriculum. This school was and
continues to be popular for encouraging
cultural art forms. My very first year at
school fetched me the first prize in the
inter class music competition. That was a
big turning point in my life because the
accolades and recognition I received among
my teachers and friends was so thrilling. I
decided to get serious about music!! Till
12th standard, I seldom missed a chance to
exhibit my talent and the response made me
improve and refine my music further
Ramakrishna Mission Vivekananda College –
Another major influence on my music. I had
dreamt of becoming a student of this college
since my 11th grade because of it’s
impressive alumini . The past students of
this college had become stars in the field
of music, sports and other extra curricular
activities. Thank God, the dream came true.
With true modesty I would like to add that I
passed out of school with a meritorious
percentage and the Best outgoing student
award. This guaranteed my entry into
Viveka(as we affectionately call it) .
My music too had graduated from school to
college as I was more in tune with
concert-related techniques and had begun
singing during the December Season. Whatever
I had heard about the college was absolutely
true and they encouraged my music even
better. The professors were all
knowledgeable people in music. I still
remember, I sang Dhinasharanyane in
Karnaranjini ragam to the Principal Dr.
Ramaratnam standing in the corridor. He
immediately praised me and made me sing
during the weekly prayer hour of the
college. This continued for the 3 whole
years. This along with College culturals and
regular concerts representing the
Ramakrishna Mutt, took my music to another
realm, one that was marked by solid practice
and a professional attitude. I started
believing that Music is, after all, my
Destiny. And thanked my stars for it!! In
2002, I passed out of this college, once
again, with a Gold medal and best outgoing
Student award. The college had accomplished
what it was famous for- All Round
Development.
By this time, I had become busy with
Music.Regular outstation concerts and other
assignments made me opt for a correspondence
course. I enrolled myself for the twinning
programme of Pondicherry University and
Loyola College and got the Masters Degree in
Financial Management in 2004.
After completing MFM, I did a brief stint
as a Radio Jockey(RJ) at Worldspace . I was
in charge of presenting programmes,
interviewing artists and doing voice overs
for their 24 hr carnatic music channel
"Shruti" . Later when the channel shifted
base from Chennai to Bangalore, I chose
Music over RJ'ing and stayed back in Chennai
- The Centre for Carnatic Music.
"THASMAI SRI GURAVE NAMAHA
"
The above title transalates roughly as "I
salute such a Guru !!" . In this section , I
would like to salute such people who fit
into the sloka "Guru Bramha Guru Vishnu Guru
Devo Maheshwaraha, Guru Saakshaath para
bramha ! " . These people have selflessly
taught me their knowledge of music and I
remain, with gratitude ,one of their humble
students ...
Vaigal S Gnanaskandan :
My first and foremost teacher. My
grandparents insisted that I must learn
under him for one simple reason. His
sincerity . Moreover his shaareeram or his
voice timbre is something special. The
glitter in his voice was what inspired her
to ask him whether he was willing to take me
as his student. He readily agreed and my
classes began when I was 9 yrs old. Till
date , he continues to come over to my place
and teach . He is something more that just a
teacher.He is our family member and the kind
words of blessings he always has for us
definitely imbibes so much confidence and
good sentiments in every family member. A
selfless teacher, in the true sense...
Sangeetha Kalanidhi Sikkil
Kunjumani and Neela
I have always been an admirer of their
music. Something different, something so
unique about their style. As if , the flutes
were spelling out the lyrics also . (
vaarthai kekkaramaari vaasippa!! ) As years
passed , I was able to gather so much from
them. Be it on how to plan a
concert,selection of ragas,handling of
manodharma, judging the audience mood and
many more nuances which play a pivotal role
in building up a successful kutcheri.They
have imbibed in me a successful kutcheri
bhani . PRESENTATION is their forte and I
continue to learn this aspect from them.
Smt. Mala Chandrasekar :
I lost count of the number of people
asking me how I am related to Mala. Many
still think I am her son, some believe I am
her brother , so on and so forth. She is my
chitthi , my aunt. Affectionately known as
Mala aunty, she has taught me several songs,
valuable tips on music and other regular
lessons. Residing in the same building,we
share a special aunt-nephew relationship.
I would like to quote a very interesting
incident at this juncture. I used to visit
her frequently when she was at Kilpauk
Gardens. Her mother in law, Smt. Radha
Viswanathan, the daughter of Bharat Ratna
M.S.Subbalakshmi, was my mentor too. I will
discuss that in detail after this. So coming
back to the incident...
Aunty once taught me how to sing the raga
Thodi. I think it was in 1994. I was very
playful at that stage and never paid any
attention to her . She is one committed
teacher, by the way. Not only music , but
whatever she does, she does it to
perfection. I couldnt get a few sangatis
right and kept on asking her to change that.
She refused and was determined to make me
sing . I was becoming more and more restless
as my cousin, Kaarthik, was signalling from
the corner asking me to play cricket with
him. Mala became so angry that she slapped
me . Actually the slap was much milder than
what we do to shoo away flies !! But i
started wailing so loudly that Radha mami
had to intervene and ask her to stop
scolding me. The very fact that she had
slapped me , had taken me by surprise and I
could'nt bear that humiliation. It took
several hours to calm me down . Things
settled down with some sorries being
exchanged. Mala still doesnt know why I
cried that day because the slap was so mild.
Actually even i dont know why i cried. But
the biggest gain from that incident was that
my raga elaboration of thodi acquired a new
dimension from that day. I started working
hard for it. Even today whenever i sing
thodi , she winks at me saying " Had I not
hit you that day, you will not be singing
thodi properly now!!" . My answer would be "
You never hit me . I cried just to escape
from your lessons !! "
Smt. Radha Viswanathan :
I had the good fortune of learning some
priceless kritis like Swara raga sudha,
Kartikeya gangeya, Rama rama
gunaseema,Veenabheri from Radha mami.
Moreover, melodious bhajans made popular by
MS amma were also taught . I still remember
the enjoyable sessions in her house along
with Mala aunty and my cousins. There have
been times when I used to look forward for
holidays so that I can spend time with Mami
and learn songs from her. I found her quite
different as a Guru compared to others
mentioned above. She was a fast teacher and
I had to sharpen my grasping skills to cope
up with her teaching methods. It benifitted
me a lot. Even today I visit her and try to
learn some kritis whenever time permits.
In Photo: (From L to R Standing)
Grandparents Sikkil Kunjumani and Neela, Sri
KS Venkatraman, sister Lavanya. Seated on
the chair- Smt Radha Viswanathan and Sri
Viswanathan. on the floor(from L to R) my
uncle and aunt Sri Chandrasekar and Mala ,
my parents Smt Mythili and Chandrasekaran.
And Aparna , Smt Kunjumani's granddaughter.
Titles and Awards
*Yuva Kala Bharathi – Bharat Kalachar-
2005
* Isai Chudar – Karthik Fine Arts - 2005
* Naada Oli - Naada Inbam - 2005
* "Best Vocalist proficient in all aspects
of Music" - Indian fine Arts '2005
* TAG corporation's Ramabhadran Centenary
Award for most promising young artiste of
the year 2005
* Kalki Memorial Award – Kalki memorial
Trust 2005 (Youngest to receive this award)
* Dharmatma memorial Award – Raja
Annamalaipuram Sabha - 2005
* Swarna Venkatesha Dikshitar award - Music
academy conference 2002,2003,2004
* Best Concert - Music Academy Conference -
2003
* Maharajapuram Viswanatha Iyer award for
best raga renditions - Sri Krishna gana
sabha 2002
* Best Vocalist Award - Sri Krishna Gana
Sabha in 2000
* Best Performer in Sub Senior Category
during Music Season 2002 - - Indian Fine
Arts society.
* Special Talent Award – Thyaga Bramha Gana
Sabha ‘ 1997
* Awarded the Sangeetha Bhaskara title from
Gnanaskandan trust, Chennai -1994
* Won several prizes during the competitions
held at Music Academy, Narada Gana Sabha,
Mylapore fine arts etc during the years
1995-1999
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